contain  multitudes  •  por  Padma  Dorje  •  fundado  em  2003
contain  multitudes
Online references to his book lead Peter Mountford to baffled Russian reader – at work on illegal ebook version.GUARDIAN

Pirated novelist gets on board with rogue translator

Online references to his book lead Peter Mountford to baffled Russian reader – at work on illegal ebook version.
All too often, I hear that the copyright industry doesn’t understand the Internet, doesn’t understand the net generation, doesn’t understand how technology has changed. This is not only wrong, it is dangerously wrong. In order to defeat an adversary, you must first come to understand their state of mind, rather than painting them as evil. The copyright industry understands exactly what the Internet is, and that it needs to be destroyed for that industry to stay even the slightest relevant.Falkvinge

How The Copyright Industry Drives A Big Brother Dystopia

All too often, I hear that the copyright industry doesn’t understand the Internet, doesn’t understand the net generation, doesn’t understand how technology has changed. This is not only wrong, it is dangerously wrong. In order to defeat an adversary, you must first come to understand their state of mind, rather than painting them as evil. The copyright industry understands exactly what the Internet is, and that it needs to be destroyed for that industry to stay even the slightest relevant.
An ongoing trial in Tel Aviv is set to determine who will have stewardship of several boxes of Kafka’s original writings, including primary drafts of his published works, currently stored in Zurich and Tel Aviv.LROB

Who Owns Kafka?

An ongoing trial in Tel Aviv is set to determine who will have stewardship of several boxes of Kafka’s original writings, including primary drafts of his published works, currently stored in Zurich and Tel Aviv.
Immaterial, uncompeting goods... who are the fools who still buy them? Problems like this, so so so stupid it makes me wanna scream!marketwatch

Who inherits your iTunes library?

Immaterial, uncompeting goods... who are the fools who still buy them? Problems like this, so so so stupid it makes me wanna scream!
His quest to receive proper compensation illuminates the struggle for artists’ rights, and how decades-old grievances become coded into rock and roll mythology.The Outline

My dad painted the iconic cover for Jethro Tull’s ‘Aqualung,’ and it’s haunted him ever since

His quest to receive proper compensation illuminates the struggle for artists’ rights, and how decades-old grievances become coded into rock and roll mythology.
Since We Can't Eliminate Them... Patents threaten every software developer, and the patent wars we have long feared have broken out.WIRED

Let's Limit the Effect of Software Patents

Since We Can't Eliminate Them... Patents threaten every software developer, and the patent wars we have long feared have broken out.
Libraries and museums across the UK show their anger at extended restrictions on public release of documents.GUARDIAN

Libraries show empty displays in protest against copyright law

Libraries and museums across the UK show their anger at extended restrictions on public release of documents.
As the internet continues to evolve at an unprecedented rate, one thing always remains constant — The Pirate Bay.melmagazine

After 15 Years, the Pirate Bay Still Can’t Be Killed

As the internet continues to evolve at an unprecedented rate, one thing always remains constant — The Pirate Bay.
Beginning this October Japan will experience a totally new copyright regime. Piracy in Japan has always been especially dangerous. The police monitor file sharing...Falkvinge

New Japanese Copyright Law Doesn't Seem To Make Any Sense

Beginning this October Japan will experience a totally new copyright regime. Piracy in Japan has always been especially dangerous. The police monitor file sharing...
Reclusive, genius, paranoid, obsessive, legendary… // Mike Millard earned his “Mike the Mike” nickname by taping now-legendary shows by some of the biggest names in 1970s rock music. For Millard, taping concerts was his life. A perpetual recluse, Mike obsessed over his tapes and their destinies. But in 1990, it all came to a tragic end. The tale of Mike Millard is one that has been whispered in underground circles for decades, perhaps now it’s time for him to receive the recognition he never saw in his lifetime.wikipedia

The tragic tale of a legendary concert taper

Reclusive, genius, paranoid, obsessive, legendary… // Mike Millard earned his “Mike the Mike” nickname by taping now-legendary shows by some of the biggest names in 1970s rock music. For Millard, taping concerts was his life. A perpetual recluse, Mike obsessed over his tapes and their destinies. But in 1990, it all came to a tragic end. The tale of Mike Millard is one that has been whispered in underground circles for decades, perhaps now it’s time for him to receive the recognition he never saw in his lifetime.
The Dutch Supreme Court (Hoge Raad) has posed some pre-judicial questions to the Court of Justice of…TECHDIRT

Absurdity Of Copyright Policy Leaves Dutch Supreme Court Confused

The Dutch Supreme Court (Hoge Raad) has posed some pre-judicial questions to the Court of Justice of…
At stake: “Unprecedented and dangerous power over the future of innovation.”ARSTECHNICA

API copyrights a “threat” to tech sector, scientists tell Supreme Court

At stake: “Unprecedented and dangerous power over the future of innovation.”
Many documentaries, movies and bookspastebin

Magnets for Dharma-related torrents

Many documentaries, movies and books
Using a little-known copyright rule and a trove of…TheAtlantic

MIT Economist: Here's How Copyright Laws Impoverish Wikipedia

Using a little-known copyright rule and a trove of…
“Musicians and moviemakers are not the only ones to suffer from internet piracy”. China and Iran are reading our science for free, oh bu-hu. // The Economist sides with publishers. Oh, how surprising. But the tides are still turning, you hegemonic pigs you!economist

Websites offering pirated papers are shaking up science

“Musicians and moviemakers are not the only ones to suffer from internet piracy”. China and Iran are reading our science for free, oh bu-hu. // The Economist sides with publishers. Oh, how surprising. But the tides are still turning, you hegemonic pigs you!
Despite two lost legal battles in the US, domain name seizures, and millions of dollars in damage claims, Sci-Hub continues to offer unauthorized access to academic papers. The site's founder says that she would rather operate legally, but copyright gets in the way. Sci-Hub is not the problem she argues, it's a solution, something many academics appear to agree with.torrentfreak

Sci-Hub Proves That Piracy Can be Dangerously Useful

Despite two lost legal battles in the US, domain name seizures, and millions of dollars in damage claims, Sci-Hub continues to offer unauthorized access to academic papers. The site's founder says that she would rather operate legally, but copyright gets in the way. Sci-Hub is not the problem she argues, it's a solution, something many academics appear to agree with.
Do I, as an author, have the right to prevent people copying my books for free? Should I have it? Does it matter? Officially the idea is that the writer, artist, or musician should be allowed to reap the just rewards for his effort. This is quaint.…NYBOOKS

Does Copyright Matter?

Do I, as an author, have the right to prevent people copying my books for free? Should I have it? Does it matter? Officially the idea is that the writer, artist, or musician should be allowed to reap the just rewards for his effort. This is quaint.…
On Tuesday, Amistad Press, a division of HarperCollins, will release Zora Neale Hurston’s long-unpublished first book, “Barracoon: The Story of the Last ‘Black Cargo,’” edited by Deborah G. Plant. In late April, Vulture published excerpts from the book, which the magazine said had “languished in a vault” since 1931. I’m thrilled by the publication of Hurston’s short book on such an important subject — but I wish that we could stop talking about unpublished manuscripts in such terms. In many cases, it’s not, as such language suggests, scholarly neglect that hides these works from the public eye. Instead, the trouble begins with onerous and excessive copyright protections, protections that are meant to profit the Walt Disney Co. more than they are intended to enrich our understanding of American literature.Washington Post

How copyright law hides work like Zora Neale Hurston’s new book from the public

On Tuesday, Amistad Press, a division of HarperCollins, will release Zora Neale Hurston’s long-unpublished first book, “Barracoon: The Story of the Last ‘Black Cargo,’” edited by Deborah G. Plant. In late April, Vulture published excerpts from the book, which the magazine said had “languished in a vault” since 1931. I’m thrilled by the publication of Hurston’s short book on such an important subject — but I wish that we could stop talking about unpublished manuscripts in such terms. In many cases, it’s not, as such language suggests, scholarly neglect that hides these works from the public eye. Instead, the trouble begins with onerous and excessive copyright protections, protections that are meant to profit the Walt Disney Co. more than they are intended to enrich our understanding of American literature.
Having just dismissed a high-profile patent suit between Apple and Motorola, one of our leading jurists discusses the problems plaguing America's intellectual property system.TheAtlantic

Why There Are Too Many Patents in America

Having just dismissed a high-profile patent suit between Apple and Motorola, one of our leading jurists discusses the problems plaguing America's intellectual property system.


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