contain  multitudes  •  por  Padma  Dorje  •  fundado  em  2003
contain  multitudes
The Brothers Karamazov (Russian: Братья Карамазовы, translit. Bratya Karamazovy) is a 1969 Soviet film directed by Kirill Lavrov, Ivan Pyryev and Mikhail Ulyanov. It is based on the eponymous novel by the famous Russian author Fyodor Dostoevsky. It was nominated for the Academy Award for Best Foreign Language Film.[1] It was also entered into the 6th Moscow International Film Festival, winning Pyryev a Special Prize.Wikipedia

The Brothers Karamazov (1969 film)

The Brothers Karamazov (Russian: Братья Карамазовы, translit. Bratya Karamazovy) is a 1969 Soviet film directed by Kirill Lavrov, Ivan Pyryev and Mikhail Ulyanov. It is based on the eponymous novel by the famous Russian author Fyodor Dostoevsky. It was nominated for the Academy Award for Best Foreign Language Film.[1] It was also entered into the 6th Moscow International Film Festival, winning Pyryev a Special Prize.
Dostoyevsky's “Crime and Punishment” changed my life. It strengthened my resolve to be a writer and inspired me to learn Russian so I could read the novel in the original. But I never did. It had all stayed too fresh in memory. Finally, some 30 years later, in order to review these two new translations, I read it in Russian and was back in that world of dark staircases and ax murders. Of course, the original read at the age of 50 could never shake you like a translation read at 20.NYTIMES

Raskolnikov Says the Darndest Things

Dostoyevsky's “Crime and Punishment” changed my life. It strengthened my resolve to be a writer and inspired me to learn Russian so I could read the novel in the original. But I never did. It had all stayed too fresh in memory. Finally, some 30 years later, in order to review these two new translations, I read it in Russian and was back in that world of dark staircases and ax murders. Of course, the original read at the age of 50 could never shake you like a translation read at 20.
“Floating in the air” were a set of ideas, imported from Western Europe, that would come to define the tenets of Russian radical thought in the 1860s. Russian students like Crime and Punishment’s antihero, the 23-year-old Raskolnikov, were bombarded with somewhat distorted and jumbled versions of English utilitarianism, French utopian socialism, and Darwinism. Taken together, they created an intellectual climate that, in Dostoyevsky’s estimation, put too much stock in the ability of science and scientific reasoning to explain human behavior.TheNation

"Floating in the Air": The world that made Dostoyevsky’s Crime and Punishment

“Floating in the air” were a set of ideas, imported from Western Europe, that would come to define the tenets of Russian radical thought in the 1860s. Russian students like Crime and Punishment’s antihero, the 23-year-old Raskolnikov, were bombarded with somewhat distorted and jumbled versions of English utilitarianism, French utopian socialism, and Darwinism. Taken together, they created an intellectual climate that, in Dostoyevsky’s estimation, put too much stock in the ability of science and scientific reasoning to explain human behavior.


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