The Renaissance, taking man as the measure of all things, produced music for soloists. The Age of Revolutions, gestating democracy and the nation at arms, expressed its collectivism in orchestral music. The 20th century saw the triumph of capitalism, eventually, and the musical format of the market economy was the quartet. A quartet is the cheapest way to mimic an orchestra’s range. Ringo plays the rhythm, Paul holds down the bass, John adds the chords, and George does the decorations. The logical consequence, economically if not musically, was for all four members to sing a bit and write their own tunes. Hence the Beatles, self-contained and self-commodified, with a little help from their friend Brian Epstein.

Would you believe that there is a conspiracy theory about the way we tune musical instruments? And that this theory even involves the Nazis, chakras, and whatnot? No? Then sit down and enjoy perhaps the most ridiculous conspiracy theory of all times.

conspiracy theory, nazism

Recently I’ve undertaken a personal project (computoser) that is a bit strange. I tried to write software that generates music at random. Good music, that is, because “random” usually generates noise. The idea, of course, is not at all new – there has been research on the topic and there is software that attempts to generate music.